Showing posts with label Tablet. Show all posts
Showing posts with label Tablet. Show all posts

Thursday, 19 June 2014

Why 1,500 people bought the Honda Fit Without Ever Really Seeing it

F/NAZCA SAATCHI & SAATCHI CREATES 'INVISIBLE' HONDA THAT CAN ONLY BE SEEN WITH A TABLET

Trying before buying is usually standard practice when it comes to big spending. You wouldn't buy a TV or sofa until you'd tried it, and you certainly wouldn't buy a car.
But F/Nazca Saatchi & Saatchi's campaign for the Honda Fit 2015 managed to convince 1500 people to buy the Honda Fit without ever seeing it in the "flesh".
Why 1500 People Bought The Honda Fit Without Ever Really Seeing It
The strategy was implemented in Honda dealers from all over Brazil. Clients could visualise details of the car simply by directing the camera of a tablet at a "Virtual Carpet", which marks out the exact size of the new car. 
More than 38,000 people interacted with the new Honda Fit virtually and 1,500 bought it even before it was available in stores. 

Wednesday, 7 May 2014

The hybrid graphic novel

A comic-book heroine driven by hybrid powers.




THE STORY

How can you tell a simple yet innovative story to promote a complex technology to a non-car-specialist target audience? This is the challenge we faced when Peugeot asked us to communicate their latest hybrid engines system. So instead of listing all the technical specifications, we decided to show the adventure of a heroine utilizing the four driving modes of the HYbrid4 technology. We teamed up with Gerald Parel, famous for his Marvel comics cover illustrations, to bring the HYbrid4 technology to life through what we called ‘The Hybrid Graphic Novel’
Image of campaign
Image of campaign
Like Peugeot’s HYbrid4 technology, The Hybrid Graphic Novel had to take the form of an innovative and hybrid object. To deliver on this promise, our objective was to lean upon the hybridization of traditional comic book and digital screen experience, along with the hybridization of desktop and mobile devices. To do so, we built an experience with HTML5/CSS3 technology which allowed us to create a scrollable narrative story that adapts itself to all devices. Whether you’re reading the graphic novel on a web browser or on your tablet, the result always looks smooth and stunning.

Monday, 5 May 2014

How Audi Will Create the Next Mobile Entertainment Platform with a Tablet

Audi to Create the Next Mobile

New Smart Display to offer every app in Google's Play Store, including YouTube and Netflix

Amongst the many new tablets on display at the Consumer Electronics Show this week in Las Vegas, one stood out — not for its size or its overall design — but because it was developed by a car company.
Audi will produce the Smart Display, an Android-powered 10.2-inch tablet, that the German automaker will offer buyers of its cars as early as this year.
As expected by the luxury brand, the tablet is sleek, housed inside a brushed aluminum casing, that will feel at home inside any of the company’s vehicles.
But what’s on screen is what should capture the attention of Hollywood.
Because the tablet is powered by Google, all of the company’s apps, including YouTube, will be available to users through the Google Play store. Every video, music and gaming app.
This is significant because when paired up with Audi’s WiFi service built into its cars, Audi will truly become the ultimate mobile entertainment device.
This was inevitable, especially as Google has aggressively gone after carmakers as the latest platform to take over with its Android operating system, currently on a majority of the smartphones and tablets in the world. It announced the Open Auto Alliance at CES to integrate Android into more cars made by members General Motors, Honda, Hyundai and Audi.
But Audi is the only one to say it will build its own tablet so far.
And owners of Audi’s tablet will surely want to fill it up with content, so it will soon become a new source of revenue for content makers and distributors. What’s also noteworthy is that Audi’s consumers will enable YouTube to now offer its advertisers an attractive wealthier demo to reach through their online marketing campaigns. Targeting consumers through their cars? It’s now closer than you think.
Audi is building the Smart Display through its sister company e.solutions, a joint-venture with Elektrobit. Nvidia will provide the Tegra 4 chips that run the device at impressive speeds.
With more tablets finding their way into cars, developers of the Smart Display said they wanted to come up with a device that was safer to use while driving. The Smart Display was designed to be crash-proof; its glass won’t shatter upon impact hurting passengers. The case is also meant to withstand high or low temperatures, which often affect mobile devices.
But accessing information and entertainment is the real appeal for Audi’s new tablet.
Device connects to Audi’s MMI navigation and infotainment system, with all of the car’s data available to see on the Smart Display, from maps to fuel gauges. A built-in camera enables Skype video calls.
In announcing the new device, Nvidia touted the “hundreds of thousands of “books, music, games and films that can be enjoyed by passengers in the car.” The display will also play DVDs through Audi’s internal system, Netflix and other streaming-based apps through Audi’s high-speed LTE Internet connection available in the car. It will also enable users to start a movie in the car and finish it at home where they left off.
Audi is still trying to figure out just where it will have drivers store the Smart Display in the car when it becomes available. There’s not currently a dedicated slot for tablets inside its vehicles. The device will most likely become an accessory available when you buy a new car.
But even that is an interesting issue car designers must now deal with. In Audi’s case, it’s embraced the fact that its consumers aren’t willing to give up on their mobile devices while driving, so it’s joined them and created its own.
The timing of the Smart Display’s offering also comes as companies like Audi push hard to develop and promote self-driving cars. Should that take off, “drivers” will be able to turn to tablets like Audi’s new device to stay occupied.
And that’s only good news for the entertainment industry, which is seeing its digital dollars add up to a significant new revenue stream through mobile devices.

Monday, 21 April 2014

GM tablet tool aims to lift service revenue



  RSS feed 
Automotive News
April 7, 2014 - 12:01 am ET

DETROIT -- About 1,200 General Motors dealerships have begun using a tablet tool to help service departments boost customer retention and drum up more business.
The mobile tool, part of a software program called Service Workbench, lets service advisers use a tablet to quickly pull up a vehicle's history, whip through an inspection and point out a menu of factory-recommended maintenance items.
Chrysler Group and Hyundai Motor America have rolled out similar systems, along with large retail groups such as Sonic Automotive Inc. and AutoNation Inc.
But GM's use might be the industry's broadest. The automaker made the tool widely available to its 4,300 stores for free in early 2013.
When a customer arrives in the service lane, the adviser uses a tablet to enter the vehicle identification number and mileage. Up pops the vehicle's vital history, including any outstanding recalls, warranty eligibility, claims history and customer-pay work.
The adviser does a walk-around of the vehicle using a list of inspection items, such as battery life and tire tread. Each is rated green, yellow or red based on the urgency of the needed service. The customer decides which services to have done, and gets a printout of the services agreed to and those declined, with a total cost for each group.
If a customer declines, say, new brake pads even though they're rated red or yellow, GM sends the customer a mailer within the next week offering a discount.
"The main goals are to get a more consistent, better customer experience and to help the dealer and service director to manage their business better," says Brian Hoglund, who oversaw the tool's rollout as a director in GM's Customer Care and Aftersales division before recently taking a new position at the company.
Hoglund said dealers who have adopted the system are "growing their business," but he couldn't quantify the increase.
Dave Wright, director of fixed operations at Shaheen Chevrolet in Lansing, Mich., says the service department has doubled its labor sales and its parts sold per transaction in its quick lube lane since it started using the system more than two years ago as part of a GM pilot.
"It allows the service consultant to have a much more credible conversation with the customer," Wright says. "It solidifies us as the experts when we show them accurately and succinctly what needs to be done to their vehicle, based on the manufacturer's suggestion."
Richard Gonzales, service director at Vera Motors in Pembroke Pines, Fla., which sells Cadillac, Buick and GMC, says the system helps him figure out which techs are doing their inspections correctly.
"Consistency was always a problem with these inspections. If you had five techs, they'd have five different outcomes," he said. "This lets us see which techs are doing a good job and which ones aren't looking the car over as closely as they should. It's used as a training tool and a way to hold people accountable."

Wednesday, 2 April 2014

The Volvo on This iPad Will Not Run Over Your Finger




McCann Digital teams up with Volvo to promote City Safety, technology that helps drivers brake right before a potential collision. The result is a tablet app called "Finger Safety", in which users' fingeres simulate the unexpected reasons City Safety might be put to the test. Users are asked to place their finger on the tablet's screen in the ad. A Volvo then races in, but no matter where the finger is placed, it stops right before crashing into it.

http://creativity-online.com/abstract?article_id=34438

Friday, 29 November 2013

Audi Uses Rich Media Ads in DoubleClick Studio to Build Brand Engagement for A3 Sportback

THE RUNDOWN
Audi wanted to position its new A3 Sportback as a natural choice for those attracted to modern luxury. To achieve this, the team created a bespoke ad unit for tablets offering a range of functionalities and connecting the platforms where Audi is represented. As the ad was built in DoubleClick Studio, it could be designed without templates and individual actions could be tracked for performance. The ad achieved a positive unique user interaction rate of 18% and the cost per unique user interaction came to $0.07.

THE GOALS

  • Stimulate deep brand engagement with new Audi A3 Sportback
  • Reinforce Audi’s slogan, “Vorsprung durch Technik” or "Progress through Technology"

THE APPROACH

  • Created HTML5 rich media ad for tablets in DoubleClick Studio
  • Ran this reservation campaign on the Google App Network
  • Tracked using DoubleClick tools for maximum campaign insights

THE RESULTS

  • Unique user interaction rate was 18%, cost per unique user interaction was $0.07
  • On average, users spent about 30 seconds within the ad
  • Campaign drove more than 13,000 incremental video views on YouTube











Audi is a car manufacturer that’s counted among the “German Big Three”, a designation referring to the three best-selling luxury automakers in the world. This year saw the launch of the Audi A3 Sportback, which comes with a host of technical features, such as a new, powerful engine and lightweight components, making it the most advanced model yet. Inside, Audi Connect links the car to the driver’s social accounts, to Google Earth and Street View, as well as to the latest news and online traffic updates.
Start your engines
Audi’s slogan, “Vorsprung durch Technik” translates as “Progress through Technology”. This applies as much to the technical solutions Audi cars offer as it does to the advertising that supports them. It was therefore important for the marketing team to create an ad that would position Audi as a leader in technology and reinforce the Audi A3 Sportback as a natural choice for customers interested in modern, up-to-the-minute luxury.
The starting point for the campaign was the car itself. “We have a unique quality product,” says Christine Jelved, CMO, Audi Denmark. “Whenever people come to the showroom, the first thing they want to do is touch the car, they want to feel it.” Thus, Christine and her team set about creating an ad campaign capable of translating the experience of a visit to the showroom onto a digital device.
“We wanted to give users an ad that gives them the possibility of interacting with their perfect car at home,” says Audi Denmark’s online manager Jacob Thiesen. The custom ad format enables users to complete a wide variety of actions within the unit: configure their favourite car, view it from every angle through a 360-degree spin mechanism, share with friends, discover more about the model through an image gallery, view selected video clips from Audi’s YouTube channel, find their closest dealer to book a test drive, calculate leasing costs and request a quotation. Because the unit was produced in DoubleClick Studio, the ad could be designed without being tied to a template or specific functionality and these individual actions could be tracked for performance.
Audi used multiple Google products that enabled users to access the brand’s YouTube channel and social pages, as well as the launch page for the Audi A3 Sportback within the ad unit. “It’s natural to connect the media platforms in which we are represented,” says Dan Bøgsted Andersen, project manager at Audi Denmark IT. Not only does this give the best possible user experience, it also offers the added advantage of helping to drive performance on other platforms.
Get a move on
The team understood that a rich media ad on a tablet offered a great opportunity for deep, sustained engagement – more so than any other screen. “Today, 20% of all traffic at Audi.dk comes from tablet devices,” Jacob reveals. “We believe when people spend time with our brand and with our cars in the tablet ad, this will lead to more sales in the long run.” By working with great content and offering a unique experience, the engaging format was able to capture the user’s attention and provide an exceptional branding effect.
Audi took the decision to promote its rich media ad on the Google App Network. This offers the perfect environment for advertisers who want to work with large, interactive ad formats and to reach users who are spending time on their tablets.
Ready to roll
With its wide variety of functionality, the ad has outperformed expectations. “Each visitor is completing lots of actions when they are in the ad,” says Jacob. The numbers suggest multiple, long-lasting interactions rather than superficial engagements, with DoubleClick reports showing interaction rates of almost 1% for events several clicks away from the initial screen. “I think we’re all a bit surprised at how much users interacted. At a low cost to us, they delved into even the deepest content,” says Dan. “That’s something we would be unable to achieve in a TV commercial.”
Overall, the ad achieved a unique user interaction rate of 18%. Meanwhile, the cost per unique user interaction came to just $0.07. On average, users spent about 30 seconds within the ad and the campaign drove more than 13,000 incremental video views on Audi’s YouTube channel.
What’s the secret of Audi’s success? “When you want to create a really engaging rich media ad, you must have the device and the user in mind," Jacob answers. Christine agrees and says: “Being ‘Vorsprung durch Technik’, we want to place Audi at the forefront of digital marketing, and we feel that this rich media ad for tablets achieves this.”

Thursday, 21 November 2013

BMW i3 Electric Car: 360-Degree Interactive Film

Just a few days after I posted what was one of the first 360-Degree Interactive Film Examples, this launches… ‘Become Electric’ an Interactive 360-Degree Film created to launch the brand new,BMW i3 Electric Car, and it’s a hell of a launch, I suspect, a car has never been before been released quite like this, across both iTunes and Google Play interactive apps.
The story follows a typical Hollywood-style movie, emulating quality too, but once loaded onto your iPhone or iPad, every movement and every interaction lets you dig deeper into the journey and ultimately the car. The ultimate test-drive. Created by WCRS, Mustard Films and Tool.

Thursday, 2 May 2013

Audi R8: Interactive Screenshot Ad

 
Created by AlmapBBDO, Sao Paulo for Audi

Monday, 25 March 2013

Fake Ad

Fake AdBradesco, a car insurance provider, placed ads in iPad magazines that appeared to be a traditional spread for a car. The twist comes when the reader tries to turn the page. When readers swept a finger across the tablet's screen to turn the page, the car follows and crashes. Tagline: "Unexpected events happen without warning. Make a Bradesco car insurance plan."

Advertiser: Bradesco Seguros
Advertising Agency: Allmap BBDO, São Paulo

Read more: http://www.businessinsider.com/these-are-the-11-best-mobile-ads-in-the-world-2012-6?op=1#ixzz2OXgqKAnu

Tuesday, 6 November 2012


EVOLUTION OF A RUSSIAN CONSUMER:  HIGHLIGHTS OF THE CONFERENCE “AEGIS MEDIA AUTUMN SESSIONS 2012” HELD BY AEGIS MEDIA RUSSIA ON THE 24TH OF OCTOBER 2012

Source: Aegis Media Russia

·         The conference consisted of 2 parts: the first was about the latest trends of the Russian advertising market and the second was about the successful Russian brands.

·         One of the most interesting presentations was made by Simeon Marinov, Integrated Communications Director Aegis Media Russia. It was about the myths about Russian consumers.

Myth 1: Russian consumers prefer luxurious brands because they want to show off. In fact, since 2007 the share of Russian consumers, who would buy whatever goods in order to look more respectable, decreased from 61% to 55%. The share of those, who prefer the latest fashion goods also decreased: from 47% in 2007 to 42% in 2012. At the same time, there is at least one category, where Russian consumers are willing to overpay for prestige: Automobiles. 42% of consumers choose the brand first when it comes to a new car purchase (a 2% increase vs. 40% in 2010). More than 2/3 of consumers want their car to stand out – the same % as in 2010.

Myth 2: Internet absorbed TV. Internet penetration has reached 90% among the young audience (12-30) in Russia (vs 39% in 2007) while TV viewing has changed insignificantly during the same period: from 96% in 2007 down to 89% in 2012. Mobile internet penetration is not a threat for TV as well: only 8% of the adult population in Russia use smartphones for internet surfing and only 2% use tablets, which is much lower than in US and many European countries. However it may change soon – the biggest cellular companies in Russia invest a lot in order to make mobile internet faster.

Myth 3: Ecommerce has a great potential in Russia. There are some barriers. For example most of the Russian consumers prefer cash: although they have debit or credit cards, they use them mostly for withdrawing money from ATM. Most of the e-shops receive cash when the goods are delivered to their consumers. A very small % of goods is prepaid by credit cards online and then delivered to the consumers in Russia. At the same time the % of Russian consumers, who buys goods online, increases constantly. Postal services are not good as well – another barrier for such giants like Amazon and eBay.

Myth 4. There are more people in Russia, who are ready to donate, than 2-3 years before. There were very good examples of people getting together to fight with forest fires in 2010. 74% of the Russian consumers claim that they would prefer to buy goods produced by the companies, which donate for charity – vs. 68% in 2010. At the same time, only 6% are ready to transfer some money if they receive a personal call for help, even if it is motivated. More than 2/3rd of the Russian consumers are confident that they will be cheated if they donate some money

Friday, 12 October 2012


Lexus Print Ad Roars to Life, With a Little Help From an iPad CinePrint adds color, music and sound


We've written before about print ads that don't just sit there looking pretty. Here's the latest one: a Lexus ad in the Oct. 15 Sports Illustrated that suddenly becomes animated—the engine revs, the headlights flash, the wheels spin and the background pulses with color, all to a blaring musical soundtrack—when you place the ad over an iPad that has the Web page Lexus.com/stunningloaded. (It also works with a special Lexus video inside the iPad edition of SI.) You can get an idea of the experience in the clip below, although the real thing is surely more impressive. Critics say it's just a glorified video, but it isn't—it's the play of the light through the printed page that's novel and delightful. In a way, it's almost like a print version of projection mapping, minus the 3-D aspect. Projecting light on (or in this case, through) a tangible surface creates an effect neither medium can accomplish on its own. The most impressive, and in many ways the simplest, example of this was the great solar-powered print ad from green-energy company Shikun & Binui Solaria—featuring a black-and-white sketch that, when held up to sunlight, blossomed into full color. (No iPad necessary!) In terms of bells and whistles, though, the Lexus ad more than delivers.



     Working with ad agency Team One, Lexus developed a special technology for this that it's calling "CinePrint." "Most traditional mashups feature print ads that redirect to a digital experience away from the printed page," the automaker says. "CinePrint technology flips that on its head, creating a tactile and visceral connection that brings one closer to the printed page with a multi-sensory experience that combines sight, sound and touch."

     Lexus is pretty into funky print ads, having utilized Near Field Communication technology in an ad for Wired's April issue that allowed users to transfer video and other content from the ad to their smartphones. On the publishing side, Time Inc. is consistently welcoming tech-friendly print ads, too, having already embedded a live Twitter feed for the CW in Entertainment Weekly.

Friday, 7 September 2012


TABLET & MOBILE VIDEO CONSUMPTION INCREASES WHILE COMPUTER VIEWING DECREASES

By International Business Times on 21 June 2012.



"Customers are becoming more comfortable viewing their paid content on a smaller screen, such as a tablet or mobile phone. However, the desire to watch events and video
content as it happens is still prevalent, as more than 50 percent of viewers watch
live television programming." - Frank Perazzini, JD Power & Associates.


The study revealed that 18% of customers utilize their tablets for viewing paid video content which is up from 11% last year. Second in line is viewing from wireless phone which comprises of up to 16% (up to 14% last year. Meanwhile, PC/Mac viewing experienced a decline from 48% last 2011 to 39% for 2012.


Gaming consoles is also a growing source of view paid content for customers. According to the study, users who view from gaming consoles spend at least 6.3 hours per week with their device. This is considerably higher if compared to the hours spent on other devices such as PC/Mac (5.3 hours), Wireless Phone (4.9hours), music player (4.5 hours). and tablet (4.4 hours). These findings imply that users are getting comfortable in viewing videos from their gaming console. Despite that advancement, many users are still loyal in viewing videos from the TV screen.

Wednesday, 29 August 2012


APPLE WINS VS SAMSUNG: BANNING 8 GALAXY PHONES IN THE US


With last week's court ruling favoring Apple's lawsuit against the Samsung, 8 Galaxy mobile phones have been slated to be banned in the US. Additionally, the Samsung Galaxy Tab could be banned as well from display shelves.

Here are the phones and their corresponding patent infringements:


Read more on CNET regarding the mobile ban. Click here for info regarding the Tab ban.

How could the US ban affect Galaxy's sales in other markets? How about in terms of media?
1. A potential lawsuit could be brought upon Samsung in the international courts. Citing the US win provides a strong case against the sale of Galaxy phones around the world.
2. Limiting the sales location of the Galaxy phones, especially in a market with a high concentration of technological advancements, could in turn shrink the development of software and apps on an Android platform. All developers would be opting for iOS as Apple assumes a monopoly.
3. This affects all markets as a development of an app or software has applications on a global level. 
4. Without variety and innovation, the manner in which apps for games, social and video are accessed could in turn affect display ad formatting and also the way media is bought and sold.