Showing posts with label Online video advertising. Show all posts
Showing posts with label Online video advertising. Show all posts

Friday, 11 July 2014

Nissan Immortalizes Your Car And Family In A 3D Portrait

Brand Is Promoting Owners' Emotional Relationships With Their Vehicles

Editor's Pick

In Japan, Nissan is presenting some of its car owners with a 3D-printed replica of their old car (and their loved ones) when they trade it in for a new vehicle, in a program created to mark the brand's 80th anniversary.
Nissan owners who tweet out their "love stories" with their vehicles will get a chance to win a mini 3D replica of their cars, along with miniature versions of themselves. The brand hopes to underline the idea that a car (particuarly one you've owned for years) is almost like a part of your family and is promoting the program via this emotional web documentary in which a family sees its daughter off to start a new life in Tokyo.
AgencyTBWA/Hakuhodo claims it has already increased the numbers of people renewing their cars "dramatically" since its launch. Other Nissan owners in Japan can submit their own "love stories" until August 31 via Twitter and Facebook and on the dedicated contest site.

Thursday, 29 May 2014

Opel Mokka: Opel Mokka Skiptest


When was the last time you actually watched a pre-roll ad on YouTube?The truth is, the only thing people watch is the skip button to see how many seconds they have to wait.

Grey Moscow used that to show how Opel Mokka's different features help you to deal with the things you can't avoid like pre-roll ads. Introducing the SkipTest a series of pre-rolls where the car interacts with the 'Skip' button as if it were a real obstacle on the road: driving over, swerving around, and even crashing into it.

Wednesday, 28 May 2014

Toyota ‘busts the myths’ around Hybrid cars in new online campaign


POSTED BY 


Toyota Motor Europe, has today unveiled a new online campaign, ‘Fall in love with driving again’, which the car maker hopes will boost the popularity of its Hybrid cars.
Developed by Saatchi and Saatchi London, the campaign aims to highlight the “positive emotions” felt when driving in congested cities in a Hybrid.
The first film of the new campaign shows drivers in Rome participating in an experiment by driving the routes they normally drive in both Hybrid and non-Hybrid vehicles.
The drivers’ emotions are then analysed to determine how stressed or happy they are after driving a petrol or diesel and a Hybrid car.
Dario Giustini, Toyota brand and marketing communications senior manager, commented: “This is an exciting time for Toyota in Europe. Toyota is the leader in Hybrid technology and one of our objectives is to be a facilitator of better driving experiences.
“The objective of our marketing campaign is to demonstrate that consumers fall in love with driving again thanks to Toyota Hybrid.”
The film, which breaks in the UK in May, will be rolled out across European Markets followed by a series of online films that “bust the myths” about Hybrid cars. Social and location-based marketing is set to follow.

Monday, 19 May 2014

Hilarious Russian Subaru advert shows dog 

pretending to be dead before stealing car




Russia may not be in everybody's good books at the moment, but they don't half produce great adverts.
In the US, Subarus are promoted as green, efficient vehicles.
In the UK, they would probably advertise them as family-friendly yet stylish cars.
But not in Russia. In Russia, they use a dog getting run over.
Filmed from inside the car, the driver of the Subaru in the above video hits the animal before reversing to see what the impact was from.
Horrified, they leave the vehicle and run to see if the animal is fatally wounded.
Unbeknown to them, however, the dog's accident is a ruse - it promptly leaps to its feet, legs it to the car and DRIVES it off. Before rocking out to some in-car music.
It loves Subarus, you see. They're THAT good.
No dogs were (probably) hurt in the filming of the above ad.

Thursday, 15 May 2014

Mini Drivers Dream Up the Craziest, Coolest Test Drives Ever … and Then Go Do Them 10 amazing videos introduce the new Hardtop 



I'm positively floored by the fun series of Web videos by Butler, Shine, Stern & Partners and Tool of North America introducing the BMW Mini Cooper Hardtop.
Client and agency asked real Mini owners to think up creative "test drives" to showcase the vehicles. After receiving 800 submissions, they produced 10 videos. The work strikes a happy balance between user-generated content and traditional advertising, with the owners' ideas sparking consistently entertaining, engaging and, in some cases, surprising results.
Running between one and two minutes each, and starring the owners who proposed the concepts, some of the vignettes are simple, others quite involved.
But there's isn't a lemon in the lot.
Highlights include "Getting Medieval," which shows heavily armed and armored knights jousting in their Minis; "Midnight Black Light," with LED headlamps replaced by black lights that cut through a dazzling landscape of fluorescent paint; and my favorite, "Sex Appeal," a tongue-in-cheek, Burt Reynolds/Cosmo-style photo shoot with scented candles, a spray-on tan, bulging obliques—and probably a car in there somewhere, too.
"I was very happy to play the fool—it was supposed to be a spoof and purposely goofy—and the crew were impressed with my willingness to look like an ass," Thomas Lhamon, a chemistry teacher and the star of "Sex Appeal," tells AdFreak of his racy test drive. He wanted to see how many Facebook likes he could generate by posing with the Hardtop, and his video highlights the car's connected apps.
In fact, all mentions of specific brand attributes feel unforced and logical. For example, "Parallel Universe" has Minis squeezing between elephants, shopping carts and even planets to showcase parking-assistance technology, while "Foot-to-Pedal Style," all about shopping for cute shoes, touts cargo space.
Though each is amusing in its own right, the 10 videos, posted below, work especially well when viewed as a series. There's also a whole microsite here. All told, these owners did a fantastic job of generating ideas. Maybe they should shift into advertising. Actually, with this campaign, I guess they have.

Wednesday, 14 May 2014


Chevrolet Top Car Brand for Social Video Engagement in U.S., Mercedes Take Global Title



When it comes to online video advertising, Chevrolet is the leading brand in the U.S., but American manufacturers lag behind their foreign competitors when in comes to viewer engagement. For U.S. viewers, Chevy video ads attracted almost half (44.7%) of the total number of online shares over the last 12 months. Ford came in second with a 22.7% share. Surprisingly, Dodge only scraped in at third place, despite the blanket social media push given to the Dodge Durango campaign starring Will Ferrell as Anchorman Ron Burgundy.
When it comes to global engagement, Mercedes-Benz, Honda and VW take the top three spots, with Chevrolet the leading U.S. brand by some way, coming in fourth. Ford, in seventh place, is the only other U.S. auto company to make it onto the top 15. While eight European and five Asian companies make the list, other U.S. brands like Dodge (17th), Cadillac (19th) and Chrysler (22nd) just missed out.
Chevy Win Big on YouTube
Over the past 12 months, Chevy has scored major success with their video content, including one of their 2014 Super Bowl ads for the Silverado HD. The commercial has generated 5,549,276 views on YouTube and  87,245 shares across Facebook, Twitter and the Blogosphere.
Although the Chevrolet YouTube channel has a relatively modest number of subscribers (289,804 at time of writing), it has generated 63,121,773 views over 948 videos.

Top 15 Auto brands on Social Video – Last 12 months

  1. Mercedes-Benz – 1.96 million shares
  2. Honda – 1.77 million shares
  3. Audi – 1.61 million shares
  4. Chevrolet – 1.14 million shares
  5. VW – 1 million shares
  6. Toyota – 853,054 shares
  7. Ford – 708,072 shares
  8. Jaguar – 620,806 shares
  9. Kia – 605,962 shares
  10. BMW – 603,785 shares
  11. Fiat – 595,709 shares
  12. Renault – 489,819 shares
  13. Subaru – 445,514 shares
  14. Nissan – 415,259 shares
  15. Volvo – 414,958 shares
Chevrolet Top Car Brand for Social Video Engagement in U.S., Mercedes Take Global Title

U.S. Auto Brands’ Share of Voice – Last 12 Months

  1. Chevrolet – 44.7%
  2. Ford – 27.7%
  3. Dodge – 11.2%
  4. Cadillac – 8%
  5. Chrysler – 4.7%
  6. Jeep – 3.2 %
  7. Buick – 0.5%
Chevrolet Top Car Brand for Social Video Engagement in U.S., Mercedes Take Global Title
Each automotive brand was ranked by the levels of viewer engagement and conversation their video campaigns generated in the past 12 months. Thanks to Unruly for the data.

Wednesday, 15 January 2014

Honda's 'Hands,' Fiat's Typeface Drive Off With Top Honors at Auto Ads of the Year One Show picks its winners 


The 2014 One Show Automobile Advertising of the Year awards are being presented today at the North American International Auto Show in Detroit. And Honda has grabbed the top prizes in both the TV and online video categories.
Fiat won in the print category, Hyundai in interactive, and BMW and Toyota shared the prize in experiential.
Check out all the winners (and the finalists) below. Some solid work here, but where oh where is the RAM "Farmer" spot?

Category: TV Commercials
Winner: Honda "Hands," Wieden + Kennedy, London
Other finalists:
Dodge "It Comes Standard," Wieden + Kennedy, Portland, Ore.
Honda "Illusions," mcgarrybowen, London
Daimler/Smart "Offroad," BBDO Germany, Dusseldorf
Land Rover "Roam Free," Young & Rubicam, New York

Category: Online Video
Winner: Honda "Sound of Honda/Ayrton Senna 1989," Dentsu, Tokyo
Other finalists:
Audi "The Challenge," PMK*BNC, New York, and Audi of America
Honda "Project Drive-in," RPA, Santa Monica, Calif.

Category: Print/Outdoor
Winner: Fiat "Letters," Leo Burnett Tailor Made, São Paulo, Brazil
Fiat created its own typeface for posters warning people against texting and driving.
Other finalists:
Kia "Panoramic Sunroof – Cat," David&Goliath, Los Angeles
Volkswagen "Child," Grabarz & Partner, Hamburg, Germany

Category: Interactive
Winner: Hyundai "Driveway Decision Maker," Innocean USA, Huntington Beach, Calif.
Other finalists:
BMW "Eli's BMW," kbs+, New York
Fiat "Abarth 500 Zero Followers," Leo Burnett, Dusseldorf, Germany

Category: Experiential
Winner: BMW "Window Into the Near Future," kbs+, New York
Winner: Toyota "Tundra Endeavor Campaign," Saatchi & Saatchi, Los Angeles
Other finalist:
Toyota "Camry Thrill Ride Experience," Saatchi & Saatchi, Los Angeles

Friday, 3 January 2014

Buick’s “Get Off The Phone” Ad Has Comedy Duo Rhett & Link Urging People To Get #InTheMoment

Buick Get off the phone screen captureBuick’s latest advertising campaign is replacing automobile pitches with a public service announcement, encouraging everyone to pay more attention to what is going on around them. The campaign is being promoted on Buick’s “Get in the Moment” Tumblr blog, featuring the music video “Get Off the Phone” by comedy duo Rhett & Link.
While the comedy pair are filmed driving in a Buick Regal, along with the car in the background during some scenes, the video focuses on the song’s lyrics, a commentary on all the moments we miss in lieu of our obsession with smartphones.
Poking fun at everyone from teens staring at their phones, to moms ignoring their babies and foodies Instagramming their desserts, the song’s chorus includes the lyrics, “Get off the phone now, it’s going to be okay, there’s no need to be afraid. It doesn’t love you, it’s going to die one day, the government’s probably spying on you with it anyway.”
The video has  accumulated over 878,000 views since it was posted on Rhett & Link’s YouTubechannel December 3, with Unruly’s viral video chart showing it earning more than 26,000 shares. According to a report on Adweek, marketing agency DigitasLBi worked on the #InTheMoment campaign with Buick and helped broker a partnership between the automobile company and Rhett and Link.
Buick’s #InTheMoment Tumblr blog reads, “We all get lost in our smartphones. But imagine what you’ll find if you put the phone down for a minute. For a meal. For a conversation. For a road trip. Look up, live life, and join us in the moment.”
But first, watch check out the video:

Buick’s “Get Off The Phone” Ad Has Comedy Duo Rhett & Link Urging People To Get #InTheMoment Dec 13, 2013 at 4:32pm ET by Amy Gesenhues Tweet Buick Get off the phone screen captureBuick’s latest advertising campaign is replacing automobile pitches with a public service announcement, encouraging everyone to pay more attention to what is going on around them. The campaign is being promoted on Buick’s “Get in the Moment” Tumblr blog, featuring the music video “Get Off the Phone” by comedy duo Rhett & Link. While the comedy pair are filmed driving in a Buick Regal, along with the car in the background during some scenes, the video focuses on the song’s lyrics, a commentary on all the moments we miss in lieu of our obsession with smartphones. Poking fun at everyone from teens staring at their phones, to moms ignoring their babies and foodies Instagramming their desserts, the song’s chorus includes the lyrics, “Get off the phone now, it’s going to be okay, there’s no need to be afraid. It doesn’t love you, it’s going to die one day, the government’s probably spying on you with it anyway.” The video has accumulated over 878,000 views since it was posted on Rhett & Link’s YouTube channel December 3, with Unruly’s viral video chart showing it earning more than 26,000 shares. According to a report on Adweek, marketing agency DigitasLBi worked on the #InTheMoment campaign with Buick and helped broker a partnership between the automobile company and Rhett and Link. Buick’s #InTheMoment Tumblr blog reads, “We all get lost in our smartphones. But imagine what you’ll find if you put the phone down for a minute. For a meal. For a conversation. For a road trip. Look up, live life, and join us in the moment.” But first, watch check out the video: Related Entrie

Thursday, 21 November 2013

Trace Your Road - Lexus Online Advert

A video game becomes real when you have an F1 driver and some interactive tools...

Thursday, 12 September 2013


Uniqueness of Star Wars Stormtrooper shown in Nissan spot via TBWA/Hakuhodo Tokyo

star3.jpgNissan has launched a 30" TV spot 'City of Stormtroopers', created by TBWA/Hakuhodo Tokyo and produced by Outsider.

The commercial celebrates the customers' ability to colour personalize their new Nissan Juke. In collaboration with Disney and Lucas Film the film was shot in Asturias, Spain. It centers on a member of the Star Wars Stormtrooper Guard deciding to break free from white tradition and embrace the bright red (with white racing stripes) of a Juke as it races through their Imperial city.star2.jpg

Creative agency: TBWA/HAKUHODO, Tokyo
Executive Creative Director: Miki Matsui
Creative Director:  Takahiro Hosoda
Art Director: Gen Ishii
Account Supervisor: Akihiro Takeda
TV Producer: Miki Kuretani
Production Company: Outsider
Director: Scott Lyon
DOP: Par Ekberg
Producer: Zeno Campbell
GMC US nominated for Wanamaker Place Awards - Branded Entertainment Campaign




Tuesday, 10 September 2013

An Inside Look at Nissan’s Vine and Instagram Video TV Commercial

Nissan Versa
By now, brands’ use of micro-video apps Vine and Instagram video is well-documented. Tapping into networks full of smartphone users hungry for visual content has given brands yet another way to reach and interact with their customers. Yet even as companies scramble to create mini-films to delight and entertain their audiences, who those clips reach is typically limited to mobile device users.
Despite the rise of new media, traditional advertising platforms maintain their vast reach and offer something else Vine and Instagram video don’t: frequency. Whereas, in advertising terms, reach refers to the number of people who see an ad, frequency denotes how many times each individual is exposed to it. For advertisers, both metrics are important, and achieving balance between them is a key goal. While Vine and Instagram are natural environments for such content, each video is likely to be seen only once by a brand’s followers.
In an effort to reach target consumers as well as the rest of America, Nissan USA is running a first-of-its-kind contest that will feature fans’ Vines and Instagram videos in an upcoming 30-second TV spot. Fans of the Nissan Versa Note can visitYourDoorToMore.com to grab printable elements that must be included in their Vine or Instagram video entries. The videos should focus on the entrants’ passions, include the Versa Note printable elements, and be tagged #VersaVid. Six people will win $1,000 Amazon.com gift cards, while three Grand Prize winners’ videos will also be chosen by the marketing team and incorporated into the TV commercial.
Nissan’s Director of Interactive and Social Media Marketing, Erich Marx, is one of the drivers of this campaign. We recently spoke with him to discuss the strategy and logistics behind the commercial.

Having Fun With It

Fun
The “Your Door To More” campaign is part of a media push to introduce the new generation of Nissan’s popular hatchback, the Versa, to the nation. Around the world, the same car is known as the Note, and Marx says the new name is a nod to the car’s global success. He also says having a young, active, and single target market opened the door for a fun approach.
“We were intrigued by this micro-video platform. Six seconds — what could you possibly do with six seconds that’s compelling?” Marx says. “But Vine is almost exclusively used by a younger, Millennial demographic. That’s an interesting alignment with our strategy.”
Originally, the marketing plan only included Vine, but with a week to go before the campaign launch, Instagram video came out. Realizing the potential to reach even more people, Marx and his team delayed the contest to make room for the new video tool. At press time, Instagram videos created for Nissan numbered 19, while Viners have created 30.
To Marx, giving Millennials an opportunity to cleverly express themselves in as little as six seconds is a fun challenge. Judging by some of the entries so far, users are taking the opportunity for TV air time seriously. The most creative videos feature stop motion, props and sound effects.

Length Matters

Stopwatch
In the raging social media debate surrounding Instagram video vs. Vine, there has been much speculation about which platform will win out in the end. According to Marx, this contest is a mini-experiment testing that. “I think a lot of people felt that Instagram was better because it gives you 15 seconds,” Marx says. “It’s a much bigger challenge than you think.”
Consider that most standard TV ads run in 15 or 30-second formats, sandwiched between full-length content. On mobile platforms where everything is served in bite-sized chunks, 15 seconds can feel like an eternity. Based on contest entries to date, it seems fans prefer the shorter Vine format as well.

Tapping Social to Drive Everything

Nissan Versa 2
Although the VersaVids will eventually make their way to TV, Marx and his team are soliciting entries through Nissan’s existing social networks. Using Twitter, Facebookand Google Plus, the Nissan social team is inviting over three million fans to participate. That, plus a bit of paid social advertising, is what Marx hopes will get lots of great entries.
For a campaign so centered around social, it’s no surprise that Marx’s measure of success is based on similar metrics. “We’re looking to drive tens of millions of Facebook impressions,” he says. “We’re looking to get 25,000 Twitter engagements, and we’re looking at the number of entries we get too.”
In this campaign, success is not limited to the second screen. For entrants and the Nissan social team alike, the TV commercial at the end of this contest is what’s most at stake. Slated to launch in September, Marx sees the contest as a build-up to the mainstream debut of the micro-video collage that will be one of the Versa Note’s first TV spots.
“The success of the television commercial that we’re able to weave together from the winning entries, we’re hoping that that’s something that can be a big part of the Versa Note broadcast TV launch,” Marx says.
For aspiring mini-videographers, the door to the #VersaVids contest remains open until August 5, 2013. What are you waiting for? Step on it!
http://sproutsocial.com/insights/2013/07/nissan-tv-commercial-vine/

Wednesday, 19 June 2013

Asos ‘Best Night Ever’ Campaign – UK (& US, FR, DE & Australia)

 
Insight
ASOS is one of the fastest growing online fashion retailers in the world. In December 2012, Carat Global Management was briefed by ASOS to deliver a media plan that would help the brand continue its impressive growth over the cluttered Christmas period.
In response to this challenge, the team launched the entire Christmas season clothing range by creating 3 unique music videos. By using a technology that enabled users to click and buy the featured items instantly, the team turned all digital platforms into asos shops. Carat optimised the content’s performance in real time and generated £5m of incremental sales, delivering ASOS’ best sales results ever.
The team knew that urban music videos would provide the ideal platform to showcase the range but they were also conscious that the ASOS brand is all about the best of fashion, right now. So they worked with music labels to find stylish urban acts that not only resonated with theirtarget users but also had ‘new news’ to tell just before Christmas; the promotional talent of the moment.
As a result the team picked starlets Azealia Banks and Ellie Goulding who have their own distinctive social following on both sides of the Atlantic and had new singles to promote in the build up to Christmas. Then they added model du jour Charlotte Free to bring her fashion credentials to the mix and to utilise the hype around her on both sides of the Atlantic.

Strategy

While talent negotiations were on-going the team was simultaneously trying to understand what would make their target users truly engage and transact with ASOS. 
Through focus groups and quant media research it was realised that the one thing that the socially active fashion-conscious young women did was take inspiration from a range of sources and platforms at any moment. So the team needed to be in the right place and the right time and mirror their behaviour.
The team chose the insight of any moment of inspiration and the perceived importance of the Christmas parties as the best nights of the year, to fuel the creative idea. ASOS would help young women navigate the demands of the party season to have their #bestnightever.
And while the one thing the target consumers craved was inspiration, the one thing asos didn’t have was physical stores and fitting rooms. This necessity led us to a single-minded communication solution.
The agency would use the 3 music videos to create ASOS shops in every digital platform that their audience could watch videos. They identified the spaces where the audience live online and then they used an overlay technology that enabled them with one click to ‘add to basket’ every piece of clothing and accessories featured within the video, in real time.

Execution

Credible content was paired with commerce and ASOS as a brand created something that our audience wanted to watch and share. The talents’ love for the brand also helped!     
Converging content with commerce was more complicated than the team initially thought. The overlay technology worked perfectly on global platforms like Youtube and Spotify but for national VOD platforms they often had to create bespoke solutions. For example, when they realised that iTV-Player in the UK couldn’t handle the overlays, they had to source the Ad-Sync format that featured the shop-able items next to the content in perfect synchronisation with the video.
In addition to the technology innovations, this brand campaign succeeded because it was treated as a Direct Response campaign. By merging media and sales data the team was able to optimise the sales that each of the videos was generating across different platforms and for different products in real time. Once users had watched a specific video the team was able to test and re-target them with relevant promotional messaging through cost-effective ad networks across mobile and fixed internet.
So while Spotify, YouTube and Twitter solutions were driving huge numbers of video views, the unsung heroes of ROI optimisation were the not so trendy ad networks and small and misunderstood formats like Facebook’s micro-targeted ASUs.

Results

The campaign drove more than £5m worth of incremental sales, directly attributed to #bestnightever activity.
It also registered the highest ever ASOS marketing ROI to date (4.44) and US ASOS searches increased by more than 50% during campaign period.
Despite a slow down in the rate of growth across H1 2012 the Christmas campaign helped buck this trend  –contributing to a 34% YOY sales growth in the UK, a massive result considering that UK is the ASOS heartland and its most mature market, and 57%  YOY sales growth in the US, the next big market for ASOS.
The music videos went on to achieve 7 million YouTube views and increased sales of the most of their featured products in the 3 weeks leading up to Christmas. (a money rich – time poor consumer watched the video on her mobile and went on to buy 26 items in one go  – paying £1,400 on Dec 22nd!)   
Draper’s (the bible of the business of fashion) voted the asos CEO as the most influential person in fashion for its 2012 Power List 100, topping Sir Philip Green, Paul Smith, brand Beckham and Stella McCartney.
Best Night Ever. Best Sales Ever.